Nadine Wietlisbach devises together with an interdisciplinary team exhibitions, publications and other discursive formats in the fields of contemporary photography and art.
She is Director of Fotomuseum Winterthur since 2018.
A Show of Affection – Constellation 01
The exhibition homes in on the collection’s idiosyncrasies, distinctive qualities and thematic focuses, while also scrutinising museum collecting practices per se.
Vito Acconci, Stefan Burger, Forensic Architecture, Lee Friedlander, Matthias Gabi, Nan Goldin, Roc Herms, Jacob Holdt, Margret Hoppe, Graciela Iturbide, Zoe Leonard, Marc Lee, Sherrie Levine, Clunie Reid, Anika Schwarzlose, Shirana Shahbazi, Cindy Sherman, Lorna Simpson and Garry Winogrand.
IMAGE AND MEDIA COMPETENCE AT FOTOMUSEUM WINTERTHUR IN A NUTSHELL
1) We see networked images and the photographic as a key element in our society: addressing this topic is a core educational task.
2) Our approach to fostering image and media competence is based on peer-to-peer communication: the process unfolds in an experimental setting, with everyone learning from and with one another.
3) The subjects and content we focus on are directly connected with our everyday experience – we draw on topical examples as a means to explore contextual complexity, while keeping sight of historical parameters.
4) We encourage participants to boldly question norms and mechanisms, while opening up space for discussion – where the focus is on a sensitive and precise use of language.
At Fotomuseum Winterthur, education is considered a key aspect of our work. In addition to exhibitions, publications and theory-driven investigations, education is one of the central pillars of our institution. Our educational activities take place not only on the museum’s premises but also on location at conferences, in schools, as guests of other institutions and online.
The rapid changes in photography call for active engagement. We are faced with new kinds of images every day. Photographers no longer necessarily press the shutter release, but copy, edit, remix and recontextualise existing material. They write codes and let algorithms generate images. Also, we are not merely consumers of images, but also produce and distribute them by posting them in social networks, sending them via instant messaging services or storing them in the cloud. At Fotomuseum Winterthur, we are very open and adventurous in our engagement with these changes, researching contemporary developments and participating in the discourse on photography. We are committed to a reflective examination of photographic media and wish to encourage an independent, thoughtful and creative use of media. For this reason we are expanding our educational program with a strong focus on image and media competence and reflect on the entire spectrum of photography.
2023 | A Show of Affection – Constellation 01 The exhibition homes in on the collection’s idiosyncrasies, distinctive qualities and thematic focuses, while also scrutinising museum collecting practices per se. This probing of the collection also looks at gaps and lacunae that are made apparent by the museum’s critical self-assessment and at works that are institutionally challenging. Vito Acconci, Stefan Burger, Forensic Architecture, Lee Friedlander, Matthias Gabi, Nan Goldin, Roc Herms, Jacob Holdt, Margret Hoppe, Graciela Iturbide, Zoe Leonard, Marc Lee, Sherrie Levine, Clunie Reid, Anika Schwarzlose, Shirana Shahbazi, Cindy Sherman, Lorna Simpson and Garry Winogrand. |
2022 | Chosen Family – Less alone together Aarati Akkapeddi, Richard Billingham, Larry Clark, Charlie Engman, Seiichi Furuya, Nan Goldin, Pixy Liao, Diana Markosian, Anne Morgenstern, Mark Morrisroe, Dayanita Singh, Lindokuhle Sobekwa, Annelies Štrba, Leonard Suryajaya and Alba Zari |
2019 | Color Mania – The Material of Color in Photography and Film The exhibition is realized in collaboration with the SNSF as Agora-project of the University of Zurich, the research projects ERC Advanced Grant: FilmColors. Bridging the Gap between Technology and Aesthetics and SNF Film Colors. Technologies, Cultures, Institutions of Prof. Dr. Barbara Flückiger. Curated by Nadine Wietlisbach and guest curator Dr. Eva Hielscher. Fotomuseum Winterthur |
2019 | Because the Night Bieke Depoorter, Georg Gatsas, Thembinkosi Hlatshwayo, Bárbara Wagner und Benjamin de Burca and Tobias Zielony |
2018 | 25 Jahre! Gemeinsam Geschichte(n) schreiben Fotomuseum Winterthur |
2018 | Anne Collier – Photographic Kollaboration mit Stefan Gronert, Sprengel Museum Fotomuseum Winterthur |
2018 | Sophie Calle – Un certain regard Fotomuseum Winterthur |
2018 | Dorothée Elisa Baumann & Adrian Sauer |
2017 | Disruptive Perspectives Barbara Davatz, Zackary Drucker & Rhys Ernst, Jess T. Dugan , Alexandre Haefeli, Laurence Rasti, Leonard Suryajaya, and Lorenzo Triburgo Photoforum Pasquart, Biel, Switzerland and Museum of Contemporary Photography Chicago, USA |
2017 | Alexandra Navratil & Rachel de Joode Photoforum Pasquart, Biel |
2017 | Johnny Briggs & Salvatore Vitale Photoforum Pasquart, Biel |
2016 | Penelope Umbrico Photoforum Pasquart, Biel |
2015 | Patrick Rohner - Wirtgestein Tina Z'Rotz - Versunken in der Übergangsmasse |
2015 | Tina Z'Rotz - Versunken in der Übergangsmasse Nidwaldner Museum, Stans |
2015 | Comment, please! Veronika Spierenburg – Hannah Weinberger – Taiyo Onorato & Nico Krebs – Beni Bischof – Jan Kiefer – Silvia Isenschmid kuratiert mit Eva-Maria Knüsel, sic! Kunstpavillon und sic! Elephanthouse |
2015 | At Dead of Night – Videoscreening Susanne Hofer, Florine Leoni, Alexandra Meyer, Sarah Elena Müller und Roger Fähndrich, Jos Näpflin , Augustin Rebetez, Lena Maria Thüring, Mia Sanchez, Sinae Yoo, Aline Zeltner sic! Elephanthouse |
2014 | Petra Elena Köhle & Nicolas Vermot Petit-Outhenin – «It must be regarded as a forgery unless it is proven to be genuine.» Nidwaldner Museum, Stans |
2014 | Nachhall und Witterung – Ausgewählte Werke aus der Sammlung des Nidwaldner Museums |
2013 | Athene Galiziadis, Daniel Karrer – you must appear green and shimmer between woods sic! Raum für Kunst, Luzern |
2013 | Laute Häuser und Äpfel, die fallen. Bisher unbekannte Mythen für Luzern a&a, Claudia Bucher, Denis Handschin Dominique Koch, Maude Léonard-Contant, Navid Tschopp, Nino Baumgartner, Samuel Weniger, Sara Stäuble, Stimmorchester, Andy Storchenegger / Brigitte Dätwyler / Colin Guillemet sic! Raum für Kunst, Luzern |
2012 | Marianne Eigenheer Ausgeschlagen: Sperrige Leihgabe/Freudenhaus sic! Raum für Kunst, Luzern |
2012 | Paul, Norman and Eloise: Vegetables on a boat (Storytellers I) a show about artists as storytellers Marc Elsener, Irene Bisang, Vanessa Billy, Paul Lipp, Pascale & Arienne Birchler, Martina Birrer & Martina Lussi, Fabian Chiquet sic! Raum für Kunst, Luzern |
2012 | Eliza's eating elephants and hates to draw trees. (Storyteller II) Liudvikas Buklys, Ane Hjort Guttu, Bettina Graf, Brigitte Lustenberger, Dominik Hodel, Lucie Kolb, Reto Leuthold, Tine Melzer sic! Raum für Kunst, Luzern |
From 2015–2017 Nadine Wietlisbach was Director of Photoforum Pasquart Biel/Bienne, following her post as a curator at the Nidwaldner Museum in Stans, where she was responsible for all contemporary art exhibitions and publications, as well as presentations of the museum’s collection from 2012–2015. In 2009–2010 she worked for Pro Helvetia the Swiss Arts Council in Zurich and South Africa. Between 2013–2016 she was a regular lecturer at the Berner Hochschule der Künste in Bern. She founded the independent art space sic! Raum für Kunst in Lucerne in 2007, which is still up and run by the third generation of female* curators.
2021 – | Board member, DZ Bank foundation |
2016 – | Board member, Spectrum – Photography in Switzerland |
2015 | Swiss Art Award (curatorial and editorial practice) |
2013 | Residency Chicago, USA, Städtepartnerschaft Luzern |
2013 | Research Residency Warsaw, Polen, Pro Helvetia |
2011 | Research Residency New Delhi, Mumbai, India, Pro Helvetia |